Highlights of Middle English Period of English Literature (1066-1500)
The Middle English period (1066-1500) was a transitional era that saw the development of English as a literary language, largely influenced by French and Latin. Key features include strong religious and moral themes, the rise of secular literature like romance and satire, and the use of the vernacular language. The era ended with the introduction of the printing press, which helped standardize the language.
Special Features of Middle English Literature
·
Language
Shift: English evolved from
Old English, incorporating thousands of words from Anglo-Norman French and
Latin, moving towards a structure more akin to Modern English grammar.
·
Anonymity
and Derivative Stories:
Many works were anonymous, and originality was not a primary concern; authors
often translated or adapted existing French and Latin sources.
·
Oral
Tradition: Much of the
literature was intended to be recited or performed, leading to an emphasis on
memorable forms like alliterative verse and songs.
·
Dominant
Themes:
o Religion/Morality:
Works often taught Christian lessons, with abstract qualities (like sins or
virtues) personified in morality plays (e.g., Everyman).
o Chivalry and Courtly Love: Romances exploring the heroic deeds, honor code, and ideal
love of knights were highly popular (e.g., Arthurian legends).
o Social Commentary: Writers often critiqued social injustices and corruption within society and the Church.
Major Writers and Their Works
|
Writer |
Major Works |
Special
Features |
|
Geoffrey
Chaucer |
The Canterbury Tales, Troilus and Criseyde |
"Father
of English poetry"; used the London dialect, which became the standard;
employed humor, satire, and vivid characterization to depict a cross-section
of medieval society. |
|
William
Langland |
Piers Plowman |
Wrote
a political and religious allegory in alliterative verse that critiques
social injustice and religious corruption through a series of dream visions. |
|
The
Gawain Poet (Anonymous) |
Sir Gawain and the Green Knight, Pearl |
Masterful
use of complex alliterative verse and intricate stanza forms; explored themes
of honor, temptation, and Christian morality within the chivalric romance
tradition. |
|
John
Gower |
Confessio Amantis, Vox Clamantis |
A
contemporary and friend of Chaucer who wrote in three languages (English,
French, and Latin); his works often focus on moral and political commentary. |
|
Sir
Thomas Malory |
Le Morte d'Arthur |
Compiled
and reworked French and English Arthurian legends into the first major
English prose version of the tales, a cornerstone of the King Arthur
mythology. |
|
Julian
of Norwich |
Revelations of Divine Love |
A
mystic who wrote one of the earliest surviving works by a woman in English,
detailing her spiritual visions and theological meditations. |
|
Margery
Kempe |
The Book of Margery Kempe |
Credited
with writing the first autobiography in English, offering a candid account of
her religious experiences and extensive pilgrimages. |
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